Todavía somos el tiempo, an exhibition commissioned by the Chilean government and featuring material from NACLA’s archives, is now on view at the National Center of Contemporary Art in Santiago.
Fifty years after documenting the Allende government and the events of 1973, Guzmán says that if he were to make a film about Chile today “it would be a film of questions.”
Fifty years on from the coup that installed dictatorship and neoliberalism in Chile, protest art from the streets of Santiago underlines the present reverberations of an authoritarian past.
Unauthorized migration across Hispanophone Caribbean, rendered through art, highlights the neocolonial and neoliberalism violence shaping mobility, displacement, and borders.
