More than 5,000 migrants have died or disappeared attempting to cross the U.S.-Mexico border over the last decade. Families embroider the names of their missing loved ones as a way of telling their stories.
Alejandro González Iñárritu’s virtual reality debut invites audiences to immerse themselves in the stories and journeys of refugees and migrants crossing the Mexico–U.S. border.
Akers Chacón provides a historical account of the neoliberal contradiction in immigration enforcement: open borders for capitalism, criminalization for cross-border workers.
The 7,000-person strong caravan from Central America has made international headlines and been targeted by the Trump administration. But the roots of the refugee crisis that led to the caravan go much deeper.
