Felipe Gálvez's award-winning film Los Colonos delves into Chile’s brutal settler-colonial past, exposing the consequences of cultural extermination and resonating with Latin America's contemporary Indigenous struggles.
Todavía somos el tiempo, an exhibition commissioned by the Chilean government and featuring material from NACLA’s archives, is now on view at the National Center of Contemporary Art in Santiago.
Henry Kissinger helped orchestrate the demise of Chilean democracy in 1970. His legacy reflects a ruthless prioritization of U.S. hegemony over democratic principles.
Linked to disappearances in Paine, José Antonio Kast, a rising star in Chile's far-right Republicano Party, gains national prominence with Pinochet-era nostalgia.
Scenes from Santiago capture the ongoing struggle for truth and justice, half a century after the beginning of a reign of state terror under Pinochet's dictatorship.
As emboldened far-right denialists dismiss the horrors of state terrorism, seeking truth and justice for systematic sexual political violence remains urgent, 50 years after the 1973 coup.
Fifty years after documenting the Allende government and the events of 1973, Guzmán says that if he were to make a film about Chile today “it would be a film of questions.”
Fifty years on from the coup that installed dictatorship and neoliberalism in Chile, protest art from the streets of Santiago underlines the present reverberations of an authoritarian past.
